“student Loan Artistry: How Creatives Navigate Debt” – The work of the next generation of artists and designers will be on display to the public in the coming weeks. The Limerick School of Art and Design TUS Graduate Show opens on Saturday 3rd June. Students can meet at the Clare Street campus until Sunday 11 June.
Recognized as one of Europe’s leading fine art, design and creative media schools, LSAD will become the focus of the art world’s social calendar this June Bank Holiday weekend, with graduates from across Ireland showcasing their work internationally. The public will have the opportunity to discover and enjoy extraordinary art and innovative ideas brought to life by graduate students in fine art, design, fashion, graphics, film, sculpture, photography and digital media. The annual Graduate Show is the culmination of years of hard work, exploration and artistic development by graduating students.
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, artist and MD of Narrolane Records, will officially open the 2023 LSAD Graduate Show on Saturday 3 June, during which a range of awards, prizes and residencies will be announced.
Art Is My Career
This year’s Graduate Show will see the launch of a new €5,000 Global Travel Award for a fine art graduate, supported by The Ireland Funds. LSAD TUS is the only art school in Ireland to offer such an award, which will be selected by a panel of highly respected artists and curators. The showcase will also include graduates from the first cohort of the new BA in Interior Design.
Ahead of the 2023 Graduate Show, Mike Fitzpatrick, Dean of Limerick School of Art & Design and TUS Director of Cultural Engagement said, “This year’s LSAD Graduate Show represents some of our most global concerns. War, masculinity, jellyfish, and environmental crisis in Ukraine reinvent consumer surplus and 3D printing. It is a testament to the incredible talent of our students to bring together captivating visuals and thought-provoking ideas created using the various techniques and media they have mastered throughout their academic journey. We are proud to showcase their extraordinary work and celebrate their achievements. This exhibition is a platform for our graduates to launch their careers and make a lasting impact on the art and design industry. While not wanting to single out individual students, visitors may note that one student won a record number of paintings in his graduation show.
Mike continued, “It’s a time of great celebration for us, an opportunity for our guests to see some amazing work across all our programs in art, design and media, including painting, print, sculpture and graphic design communication. Animation, motion design, ceramics, fashion, textiles and interiors. Design, animation production, game art design, creative broadcast for film and TV, music production and technology.
The LSAD Graduate Show will open to the public on Saturday 3 June at 3pm and will be available for viewing from 10am to 5pm daily until Sunday 11 June 2023.
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Anne Addams has always been a fan of any art. She explored various aspects of art at an early age; Painting, makeup artistry, writing, and creating functional art – that is, art made from aesthetic objects (such as bowls, plates, and spoons) that we interact with every day and serve a utilitarian purpose. “Art,” Annie says, “is a way of uncovering my feelings.”
Annie, also known as Clay Bender, first encountered clay when she attended an exhibition in Abuja.
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A lady came to an exhibition in Abuja and I was blown away by her amazing clay work. I walked up to her and asked if she could teach me and she said of course but I had to move to Lagos.
Annie didn’t give it a second thought. She packed her luggage and took a trip to Lagos. Thus began her journey to become a ceramist.
For someone who studied economics at school, Anne was always fascinated by colors and brushes. Her life is a story full of twists and turns, a rollercoaster of thoughts and imaginations that she has so far only been able to express through art.
But this newfound love of clay bending was different; It was personal and consuming. She not only tells stories through her artwork but also expresses her emotions and feelings. For her, it’s a way to talk about life and events, document events and fight for causes she believes in.
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I felt like talking without saying anything. Therefore, there is a story behind every work of art. I am very particular about lines and symmetry because each line represents connectivity, everything in life is connected. It’s a circle.
Ann’s career as a ceramist has been great so far. From attracting international clients to sending her artwork for an exhibition in Chicago and performing on BBC Pidgin, being a creative in Africa is definitely paying off for her. As someone starting her career in 2020 and living in a country where many creatives struggle to be seen, heard, known and experienced, one can’t help but wonder how Annie managed to get her work out there.
When Anne started out, she had no idea she would one day receive the recognition she now receives. She wanted to make art, sell art and love what she was doing while making money. But after months of posting regularly on social media, Annie found that people were appreciating her work more than she thought. This earned her artwork a place in exhibitions, a home in galleries, and many invitations to shows for her.
Anna’s journey was not all roses and scented candles. First, she had to convince people that her artworks were worth their attention and money, and even when people got to know her style and began to admire her work, few (in fact, very few) Nigerians were willing to pay for works of art. into thousands of naira.
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Getting people to see you and appreciate you is the hardest part of being a creative in Nigeria. I always have to educate people about my work, some people even ask if they can use my arches as cooking pots or flower vases, most of the time I have to say, “No, it’s art, it’s beautiful on its own.” To be honest, Nigerians also appreciate art a lot but they don’t buy your artwork because they don’t have the purchasing power. So most of my artworks are bought by international clients.
My mother has more of an understanding of art, so she was more open to it, but my father wanted me to get a ‘real job’. I had to sell the idea of what I was doing, did a lot of research and showed him pictures of my work.
I buy processed clay more often because it saves me time and energy, but if I get unprocessed clay, I have to beat and sift it for hours to make it soft and usable. Then I start building with my hands. Many people use machines, but for me this art is more complex and personal; Building with my hands makes me feel like I am creating a being. Then I made it into a shape. I don’t sketch before molding, I let my creativity flow and follow my intuition. Then I carve and leave to dry for about a week. After that, I set fire to a furnace and heat it for about 12 hours. I wait 2 days to open it, take it out and add oxides (colors), then fire again for another 12 hours.
The creative industry is not really friendly. They don’t bring young artists to exhibitions and shows, so young artists struggle to find a foothold in the industry. This is why social media should be leveraged to ensure that more people see their creations. If we want to go creative, we have to go with people. Creatives need to come together to create platforms where we can all thrive and grow. I’m in an art group where we all help each other, give feedback on our work and introduce each other to gigs. We can do it on a large scale. As an artist, you need to develop yourself because good work speaks for itself. Block out the outside noise and focus on producing things that people will have no choice but to admire when they see them. As you grow, so does your brand.
Bncreativescorner: Anne Adams Bends Clay To Create Stunning Artwork
Ann’s dream is to ensure that art is better appreciated in Nigeria and that artists get a platform to thrive.
Ceramic
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